JULIET TAKES A BREATH — Gabby Rivera

Publisher Audible
Genre Coming-of-Age
Narrative voice First-Person
Pairings F/F, background poly relationships
Content warnings White Feminism, racism, misogynoir
Maturity rating 14+
Rating 🌈🌈🌈🌈

“I wanted her to change my world.”
“Mi amor, only you can change your world.”

— Gabby Rivera, JULIET TAKES A BREATH

An excellent story about a young queer woman from the Bronx who goes to Portland for the summer to find a new love, White Feminism, and the joy of community. Rivera’s grasp on setting the scene and bringing environments to life is masterful.

The Coming Out

Juliet Takes A Breath begins with tears. During her goodbye dinner, Juliet comes out to her family, and it ends as one might expect. Her father says nothing, her mother locks herself in her room, crying, and makes it all about her “shame.” Throughout the novel, Juliet’s mom is a well of all the things straight people say: ‘it’s just a phase,’ ‘you just haven’t met the right boy,’ ‘you don’t know what love is yet.’ It’s frustrating as hell, especially as Juliet struggles and needs her mother to be there for her. Juliet’s mom says she loves her, but that Juliet has to forgive her for not being able to accept ‘what she told her’ — and that’s a nice euphemism for ‘who her daughter is in her heart.’

The Arrival

Juliet arrives in Portland, OR, still heartbroken and heartsick, too: her girlfriend, Laney, is also doing a summer internship, in D.C., and Juliet hasn’t heard from her since before her flight. No calls, not even a damn text.

And then, we meet Harlowe. Oh my God, Harlowe.
I didn’t touch the audiobook for a couple days after the first chapter with her, because I could not stop rolling my eyes after everything she said. This could have become a Did Not Finish, but I had too much affection for Juliet and too much curiosity about the story to leave it there.

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WE ARE OKAY — Nina LaCour

cover illustration we are okay by nina lacour
Publisher Dutton Books for Young Readers
Genre Coming of Age/Young Adult
Narrative voice Third-Person
Pairing Lesbian/Questioning
Content warnings Death of a family member, grief, depression, isolation
Maturity rating 14+
Rating 🌈🌈🌈🌈🌈

We were miraculous. We were beach creatures. We had treasure in our pockets and each other on our skin.

— WE ARE OKAY

WE ARE OKAY is a novel that does not centre its queerness in the sense that it isn’t your typical coming of age + coming out story. It is an undeniably queer story, but Marin’s romantic feelings for and attraction towards her best friend, Mabel, are part of an additional narrative conflict that is both caused by and a contributing factor to the story of her grief.

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